Harry Potter and the Deathly Hallows – Part 2 (2011)

Previously on ‘Reviewing Harry Potter and the Deathly Hallows‘…

‘Deathly Hallows is a tome of a children’s novel.’

‘Where the Hell do you get off? You dick!’

‘Grumpy teenager of a film.’

‘The Nick Cave bit…’

‘The Boy Who Lived…’

‘This’ll be the best Christmas Walford has ever seen.’


Excuse the theatrics, but I’m just doing what Deathly Hallows Part 2 refuses to do. Give the casual viewer a catch-up on Part 1. Nope. David Yates makes sure we hit the ground running. And by running, I mean mumbling for 20 minutes in a beach side cottage, but my point stands.

My previous review gives the sensation that I’m not a Harry Potter fan. Trust me, I am. My problem with the films is that they are so uneven. I genuinely only count three as being actually any good. Part 2 is one of those. Following the threat of more walking, Part 2 really picks up the minute we get to Diagon Alley and, from that point, very rarely lets up.

There’s a sense of maturity to this film that has definitely been missing from the others. It’s hard to put my finger on what makes me think this, which is pretty useless for a film review I know. The direction is right, the mood is right and the jokes are right. It gives me that warm fuzzy feeling I get when I watch 80s movies from my childhood.

One could go on all day about how out three protagonists work so well together, but mention should be made of Alan Rickman. A ten minute series of flashbacks showing Snape’s part in Harry’s life enforces the reasons why Rickman was chosen for more than just looking like an elderly Trent Reznor.

The climatic battle at Hogwarts is bloody without being too dark; a good blend of one-liners prevent it from being too bogged down in its own emo-ness. It’s structured so that, whilst long, you don’t lose your bearings among the chaos.

So, with all the Potter love I’m spewing, you’re probably wondering if there is actually anything wrong with it. Well, yes. The attempt to throw in numerous cameos from the previous seven films does distract from the action on screen.

‘Oh no! He’s dead. I can’t believe it… Wait, is that Jim Broadbent? It is! Oh, and there’s Miriam Margoyles!’

A big special mention has to be made to the ending… I’ve mentioned my disdain for the epilogue from the book so my heart truly sank when they decided to include it in Part 2. It’s awful. It’s like watching pre-schoolers raiding mummy’s wardrobe so they can play dress up. CGI was not invented for this. Yes, it was put in there to appease the hardcore fans, but so were the multiple endings of ‘Return of the King’. That didn’t make any more fucking right.

Long story short, Part 2 finishes the series on a high and I’m sure that Warner Brothers are happy. Now, let’s remake all Chris Columbus’s contributions and we may be onto something…


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