Soon after his much publicised firing from NBC in 2013, Dan Harmon, infamous creator of Community, decided to take his podcast, Harmontown, across the country in a series of live shows that see him continually airing his dirty laundry, overthinking and over drinking. Filmmaker Neil Berkeley (Beauty is Embarrassing) was there for the ride and his documentary, also titled Harmontown, paints a somewhat entertainingly light portrait of the tortured artist.
Harmon, for all his neuroses and insecurities, is incredibly media savvy and within five minutes of the film starting, he’s already deconstructing the tropes of documentary making; mock-chastising Berkeley for setting up a scene of him getting in his car by asking the writer to pretend there’s no camera in his vehicle. He’s a performer and unafraid to pull back the curtains on secrets both professionally and personally. His podcast is filled with moments of introspection wherein the bearded artist questions who he is and why he can’t stop his predilection to sabotage himself.
Like Harmon himself, Harmontown never really scratches the surface of what make him who he is. Berkeley’s footage is separated with talking heads from Harmon’s previous employers and colleagues. Sarah Silverman is one of the many to admit that Harmon’s talent is second only to his desire to destroy himself. And it’s this point that is constantly brought to the forefront as we’re exposed to numerous examples of Harmon’s inability to be happy. Whether it be reliving a drunken fight with his partner at the time, Erin McGathy, in front of his audience whilst she stands, frozen, trying to mine some humour out of something she clearly doesn’t find funny, to admitting that he’s struggling to finish off commissioned work in favour of his own podcast.
There’s no denying Harmon’s talent, but Harmontown, at times, feels like it celebrates his inability to pull his head out. Yes, his work has touched the lives of those who attend his shows, but there’s only so long you can support someone who says they have a problem but refuses to do anything about it. It’s probably no surprise that Harmon was a producer on the film as, despite Berkeley’s insistence he had free-reign, we are continually asked to ruffle his hair and say ‘oh you!’
The Harmon hard-core will lap this up but, as documentaries go, Harmontown is the perfect exercise for Community fans in learning to separate the art from the artist.