As well as clocking in as one of the longest film titles this year, The Hunger Games: Mockingjay (Part 1) also, unfortunately, happens to be one of the more underwhelming films too.
Once again, Jennifer Lawrence dons wig and quiver as Katniss, victor of the 74th Hunger Games and now working begrudgingly for District 13 led by the steely-eyed, President Alma Coin (Julianne Moore). Under the tutelage of ex-Gamekeeper Plutarch Heavensbee (Philip Seymour-Hoffman), Katniss is prodded and poked into becoming the face of the District’s rebellion. Like a member of the royal family, she is carted around from place to place with a camera crew/marine guard filming her every moment. Meanwhile, Peeta (Josh Hutcherson) appears to be now working for the Capital who are ramping up their propaganda to sedate to the great unwashed.
You know how in the run up to an election, you become awash with leaflet campaigns and door knocking from every party. You start becoming deaf to their accusations that the other party is the worst. Mockingjay (Part 1) is similar in that despite its big name stars and large budget, we’re basically following some people on a campaign trail.
Those who have read the source material will know the action doesn’t really ramp up until the second half, which makes it all the more obvious that this is simply a cash-in. There is nothing here that wouldn’t be missed if someone was to take a scalpel to the film and cut it down to 45 minutes tops. This is not a slur on anyone involved in the film itself. Everyone is fantastic and on the ball through out, with the exception of Liam Hemsworth who hasn’t convinced in any of these films. It’s just it’s hard to defend Mockingjay (Part 1) against accusations of lining the pockets of those above. No movie needs this much setup. Like The Deathly Hallows Part 1, people are being duped into thinking this is a complete film. It’s not. It’s flashy exposition. It’s the prawn cocktail before we get to the roast dinner.
When the second part is released next year, there’ll be a better idea of how well this film fits in with the narrative. However, for now, this is an incomplete movie. After the success and, quite frankly, joy of Catching Fire, it’s a shame the suits had to be involved so much.
Early Bird Film Society 